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The Starman Omnibus Vol. 6, by James Robinson
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In this final STARMAN OMNIBUS hardcover, Jack Knight’s worst nightmare becomes reality, as Opal City burns to the ground and chaos ensues, with hundreds of villains seizing the chance to strike.
Then, after a meeting with Superman and a final talk with his brother David, Jack must uncover the mystery of the Starman of 1951 — by going back in time to meet him face-to- face!
- Sales Rank: #907258 in Books
- Brand: Brand: DC Comics
- Published on: 2011-01-25
- Released on: 2011-01-25
- Original language: English
- Number of items: 1
- Dimensions: 10.45" h x 1.19" w x 6.94" l, 2.19 pounds
- Binding: Hardcover
- 544 pages
- Used Book in Good Condition
Most helpful customer reviews
7 of 7 people found the following review helpful.
exit Jack Knight, happy ending intact
By H. Bala
It's rare that an ongoing comic book rewards the reader with a definitive ending. Reading James Robinson's musings in his afterword, seems like dude had the ending in mind some time ago, perhaps all the way from jump. And, yep indeedy, this must-have final omnibus volume makes good on Robinson's many moments of foreshadowing. STARMAN OMNIBUS Vol. 6 collects issues #61-81 and brings the curtain down, all over again, on one of the best comic books you and I have or will ever read. A hell of an opus, was STARMAN.
There's huge gratification for folks who've been with this series from the first issue as Robinson drops the Grand Guignol saga, chronicled in issues #61-73. In Grand Guignol, painstaking continuity is serviced, plot threads from prior arcs are revisited, and past characters who were even marginally relevant are re-introduced for one last bow. Yeah, bit players like Crusher and Frankie Soul and even the Prairie Witch all partake (but do you remember these cats?). Robinson is simply masterful in tying everything but everything into an elegant, meticulous fit.
Here be the plotty plot: Fresh off his quest in deep space to learn the fate of his girlfriend Sadie's brother, Jack Knight comes home at last. Only to be drawn promptly into yet another vicious siege on his beloved Opal City. Another coordinated crime spree to tax the Opal's law enforcers and resident capes to their cracking point - and this time even more villains are recruited, many of them familiar to Jack. And this time, Jack's longtime ally, the mercurial Shade, is implicated. Has Shade, former master villain, assumed his old stripes? Or is there some dirty sleight-of-hand going on? It's surely not accidental that Robinson is bringing things full circle. Once upon a time, one such systemic assault on Opal City gave birth to Jack Knight, Starman.
What makes Jack Knight so appealing is that he's just regular folks, a flawed and believable hero. There's also that his superhero "costume" is essentially a pair of goggles, a leather jacket with a star design on the back, and that jacket sporting a sheriff's star (the prize from a cereal box, if I got it right). An avid collector of memorabilia (the high-falutin' snoots might instead label it "junk"), Jack never wanted to assume the Starman legacy, but he loves his father (the original Starman), loves his city, is a good dude at heart. The sum of eighty issues records his gradual growth and maturity. "I'm a second-rate hero," Jack confesses to Superman in issue #75, but that's just bull. Jack Knight, to a lot of people, is very relevant. He's one of my favorite heroes. In the end there, when things were darkest in the Opal, Jack Knight, current Starman, stood tall as trees.
The rich world of Starman he'd constructed, the creativity and thought he'd invested into it, I'm amazed all over again. As ever Robinson establishes the mood he wants, achieves the tight plotting, the character development, and many memorable moments... all the while juggling a vast assembly of characters. He shapes rhyme and reason out of a cast that features the Elongated Man, Adam Strange, Phantom Lady, the O'Dare family of cops, the ghostly Black Pirate, the time-displaced consulting detective Hamilton Drew, several reiterations of Starman, and I won't even go into the villains creeping out of the woodwork...
Robinson gives the people what they want: the final showdown between the Mist and Starman, the Shade versus his immortal nemesis (with Shade proving that he's the bigger man), that sense of utter despair right before salvation kicks in, the weight of the world on our heroes and then their coming thru in the clutch, and a heroic sacrifice or two... This arc has everything. And after the Grand Guignol come what are regarded as essentially epilogue issues. The series was coming to an end. Robinson was already drawing the shades, turning out the lights in all the rooms. He still writes a hell of a moving eulogy, gives us an issue of Jack hanging out with Superman, Jack traveling back in time to solve the riddle of the Starman of 1951 and also to perform an act of destiny. And, finally, in one of those sweet passing the torch moments, Jack's handing over of the cosmic staff to Courtney Whitmore, the awesomely awesome Stargirl. Also, Jack finally gets invited to the Shade's crib.
STARMAN is... toe-ing the sometimes blurry line between science and supernatural... balancing the superhero aesthetics with the joys of collecting "junk"... soaring among the stars and looking scraggly doing it, having a conversation with David, making your dad proud, embraced as your city's preeminent protector... and then giving it all up to live happily ever after.
If not Tony Harris as the artist, then Peter Snejbjerg. Snejbjerg's clean and deceptively simple - and yet dark and brooding when warranted - style wonderfully captures the mood of STARMAN.
Issue #81, by the way, is the BLACKEST NIGHT special tie-in issue, isn't part of STARMAN's original run. Note that Jack Knight isn't in this issue (he's still in Frisco). Instead, years after Jack called it quits, we catch up with Opal City, with its distinctive art deco conceits, and witness the Shade taking on the Black Lantern David Knight. It's nice to see that the Shade is still somewhat siding with the angels. It's also a bit unnerving to see the Shade being so clingy (read the story and see what I mean).
Bonus material for this freakin' monster tome includes reprinted covers for issues #61-81, a foreword by Geoff Johns, an afterword by STARMAN OMNIBUS editor Anton Kawasaki, an afterword by James Robinson, and Robinson's outline for issue #81, complete with various artists' character design, pencil layouts, and finished inks. Is this omnibus collection worth it? Does a bear sh- yes, it's worth it.
4 of 4 people found the following review helpful.
A Wonderful End to a Fantastic Series
By Never the Twain
The previous reviewer did a great job of summing up the appeal of this volume and the Starman series in general. One of the great things about using a minor character (i.e. the original Starman) as the spring-board for this series is that it allowed a degree of creative freedom that you could never have with an iconic character like Batman or Green Lantern to tell an epic story worthy of Dickens. Sadly, I can't relate my favorite moment without a significant spoiler (it's in issue #73), but suffice it to say that Starman is a book whose heart was always in the right place, which you couldn't say about a lot of comics at that time.
Of late, the pendulum superhero comics seems to have swung back towards the heroic, and perhaps that makes Starman seem less innovative in retrospect. Don't let that deter you from enjoying it, because it's just that enjoyable to read. Other than maybe Roy Thomas' 1980s JSA series All-Star Squadron, I can't think of any series that struck as perfect a balance between questioning the off-key attitudes of the Golden Age while also demonstrating why those characters continue to warrant our affection decades after they'd been left for dead.
1 of 1 people found the following review helpful.
A moving end to a remarkable series
By DJ Joe Sixpack
"Starman Omnibus, Volume 6"
Written by James Robinson
(DC Comics, 2010)
I was a Marvel fan when I was kid, and missed this title the first time around in the 1990s... Fortunately I have a friend who was a DC kid who recommended this omnibus series to me, and after six long, gratifying volumes I have finally come to the end and feel a lot of the same mix of sadness and wonder that readers of the original series must have felt 'way back when as writer James Robinson gave his Starman, Jack Knight, one of the most remarkable and thoughtful send-offs in comicbook history.
Normally, comicbook cancellations happen after disappointing fizzles or failures, with second-string talent assigned to a flailing title, and rarely are characters given anything close to real dramatic closure. Often, they simply disappear off the stands, with the lucky ones popping up later in some more successful title for an issue or two. James Robinson was surely aware of this pattern, as his "Starman" series spotlighted a number of second-string superheroes that had met ignoble ends, and he was determined not to have that happen to his own creation.
In Omnibus 5, Jack Knight returns from an outerspace saga, and Volume 6 is devoted entirely to winding down the series, slowly and methodically with Jack and his allies confronting a grand, apocalyptic scheme staged by an army of villains, and afterwards, several issues of Jack examining his own life and his role as a superhero. At the start of the series, the character moved from cynic to hero, and gradually matured into a champion and optimist; in the final story arc, he becomes an adult, in a way that is surprisingly resonant. Although this final adventure provides plenty of action and thrills, in many ways Robinson goes against the grain of conventional superhero storytelling, wrapping up loose ends in an elegant, graceful landing, elegantly providing issue #80 with an unusually thoughtful coda to a nicely textured series. Highly recommended! (DJ Joe Sixpack, ReadThatAgain book reviews)
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