Minggu, 04 November 2012

[I733.Ebook] Download The Music's All That Matters: A History of Progressive Rock, by Paul Stump

Download The Music's All That Matters: A History of Progressive Rock, by Paul Stump

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The Music's All That Matters: A History of Progressive Rock, by Paul Stump

The Music's All That Matters: A History of Progressive Rock, by Paul Stump



The Music's All That Matters: A History of Progressive Rock, by Paul Stump

Download The Music's All That Matters: A History of Progressive Rock, by Paul Stump

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The Music's All That Matters: A History of Progressive Rock, by Paul Stump

Drawing on an encyclopedic knowledge of the music, social and cultural background and extensive interviews, Paul Stump has written an entertaining and vigorous study of an important area of popular music.

  • Sales Rank: #2986834 in Books
  • Brand: Brand: Quartet Books (UK)
  • Published on: 1998-03
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: .96" h x 5.35" w x 8.31" l, 1.10 pounds
  • Binding: Paperback
  • 400 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
I can't say why because I don't understand English well ...
By Amazon Customer
I can't say why because I don't understand English well. But it is worth for the bands that I know now!!!!

9 of 12 people found the following review helpful.
The Book Progressive Rock Thinks It Deserves
By A Customer
Though often lapsing into verbosity, Stump's book is an intelligent, non-embarrassing look at the much-maligned genre of Progressive Rock. Prog fans often pride themselves on the intelligence required to create and appreciate their music. However, most books on prog betray their authors' simplistic understanding of the music and the events surrounding it. The authors come off as fanboys, insulting the reader with their poorly supported arguments and sweeping generalizations. Paul Stump goes a long way to correct this trend in prog rock books . He writes well and has done much of his homework. Despite other Amazon reviewers' comments to the contrary, Stump's passion for the music is infectious. He is opinionated, though, so Marillion fans should take note. I really appreciated the attention he gave to the more experimental or avant-garde bands. The likes of Henry Cow, The Soft Machine and Barrett-era Pink Floyd get plenty of copy alongside the more mainstream Yes and Genesis. Stump is no snob, (despite writing for The Wire) which would be a dubious position anyway for a fan of a genre now reviled by snobs everywhere. A few caveats: this should really be called "A History of ENGLISH Progressive Rock" but Stump tells you as much in the introduction. Also, as a non-Englishman, I ran across quite a few words I have never seen before or since. The Music's All That Matters has been very helpful in pointing me towards some terrific bands and understanding some of the ideas behind their music. Now I need to find some Magma albums! Ignore the cheesy title and you'll enjoy it!

4 of 7 people found the following review helpful.
easily the best book on prog available
By M
I find this book to be superior to the other two leading works on prog by Macan and Martin, respectively. Macan is a musicologist who admittedly has fallen out of interest with popular music since the time of progressive rock; thus, his book is useful only insofar as he can present a musicologist's opinion about certain pieces. When it comes to putting progressive rock in the context of other music happening simultaneosly, or evaluating progressive rock in terms of rock music history as a whole, Macan is mostly useless.
Martin approaches the subject from a sociologist's perspective, and this is valuable. Also, Martin probably goes into depth with the most individual albums than the other writers. However, Martin's knowledge of the genre is too incomplete, too biased towards Yes and too full of needless Marxist claptrap to be on Stump's level.
Why is Stump's book the best? Well, it's easily the best written of the three -- it's an invigorating, entertaining read. Martin even admits in his own book that he wished he had Stump's facility with language. Secondly, Stump isn't just presenting the history of prog from the rose-colored glasses of a fan. He is a fan, but his goal was to describe what actually happened, and what is worth reconsidering and what is not. The fact is, some prog rock *was* garbage, and Stump is perfectly willing to expose what he thinks fits this bill.
Is the book perfectly comprehensive? No. Stump (like the others) focuses almost entirely on British prog. Also, it is arguable that more information on certain major bands would have been preferable. But that would likely have come at the expense of the wealth of information included on lesser-known artists.
Still, there isn't a more intelligent or accurate volume on progressive rock available, so make this your first purchase on the subject.

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