[N511.Ebook] Ebook Download The Conversation, by Anthony J. Caruso

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The Conversation, by Anthony J. Caruso

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Although John Slade wasn't a regular at Gabriel's Tavern, he had been there occasionally. On this night, he had some thinking to do, and Gabriel's was the place where he knew he could totally crawl into himself and concentrate. Preoccupied, he never did see the stranger walk into the Tavern, so he was surprised to find someone sitting on the stool immediately next to his at the empty bar. He was even more surprised when the stranger told him who he was. And so began the most unforgettable-and most needed-conversation of Slade's life. With humor and drama, as well as unexpected twists and turns, this is the fun and poignant story of a man who has to reconcile his past before he can learn how to live with his future.

• Sales Rank: #5429829 in Books
• Published on: 2014-01-24
• Original language: English
• Number of items: 1
• Dimensions: 7.99" h x .44" w x 5.00" l, .47 pounds
• Binding: Paperback
• 190 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Edifying entertainment
By Julia McDonough
It is said that God will meet you wherever you are - even in an ordinary bar. John Slade had a few drinks with God and learned some important lessons about himself and life. Whatever your age or faith background, you will draw inspiration and energy from this simple, yet thought-provoking story with a clever surprise near the end.

We all can have conversations with God by praying, reading His Word and listening for the "still, small voice". Anthony J. Caruso used his God-given gift of communication to teach about "choice points", dealing with debilitating illness, and savoring the ordinary. This unusual novel is edifying entertainment and a vehicle for the imagination.

0 of 0 people found the following review helpful.
Loved it!
By Amazon Customer
Loved it! It's imaginative and up lifting. The writing is smooth and kept me wanting more. I'm looking forward to Anthony Caruso's next book.

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[J870.Ebook] Download Four Flags: The Indigenous People of Great Britain: DNA, History and the Right to Existence of the Native Inhabitants of the British Isles

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Fourth edition. Now updated to include the results of the 2015 study on the genetic origins of the white British population, as published in Nature magazine (519, 309–314, 19 March 2015).

This work combines the most up-to-date genetic research and the established historical record to conclusively prove that:

(a) There is a clearly definable indigenous population in Britain;

(b) That, in terms the United Nations Charter on the Rights of Indigenous Peoples and other internationally accepted conventions protecting the rights of indigenous peoples, the British people qualify fully for protected status; and

(c) That this United Nations Organisation-mandated protection specifically includes the right of the British people to be protected from the destruction of their identity through mass immigration, integration or genetic assimilation.

The genetic make-up of the British people is then discussed, including an easy-to-understand explanation of

- How people can be identified and linked to specific areas using modern genetics;

- How genetic evidence shows that the vast majority—between 70 and 80%—of all British people have ancestors going back to the end of the last mini ice age;

- How genetic evidence shows that the Celtic, Roman, Viking/Danish and Norman conquests had almost negligible impact upon the British people;

- How genetic evidence has shown that even the much-reputed Anglo-Saxon invasions did not cause any mass population replacement within the British Isles.

- How, therefore, the genetic evidence proves that the vast majority of the white British population have roots going back thousands of years on the British Isles.

Next, this work reviews the claims for Indigenous status of four of the most well-known indigenous peoples of the world: the Mãori in New Zealand, the Aborigines in Australia, the Tibetan people in Tibet and the Indians in North America.

All of these people either have officially protected status, or, in the case of the Tibetans, are the subject of international campaigns to ensure their right to self-determination and protection against assimilation and physical overwhelming by the Han Chinese.

Finally, this book shows how, in terms of the UN definitions used to define the indigenous status of these four abovementioned study groups (specifically their genetic unity, and the length of time they have been resident in their own territories before the advent of foreign settlers), the British people qualify several times over for protected status.

In fact, the British people have been resident in their own territory for thousands of years, as compared to, for example, the Mãoris, who have been resident in New Zealand less than 800 years.

It concludes by pointing out that the current mass Third World immigration invasion of Britain (and indeed, all of Europe) is therefore a contravention of all the internationally-accepted declarations on the rights of indigenous peoples.

“Article 8:
1. Indigenous peoples and individuals have the right not to be subjected to forced assimilation or destruction of their culture.
2. States shall provide effective mechanisms for prevention of, and redress for:
(a) Any action which has the aim or effect of depriving them of their integrity as distinct peoples, or of their cultural values or ethnic identities;
(b) Any action which has the aim or effect of dispossessing them of their lands, territories or resources;
(c) Any form of forced population transfer which has the aim or effect of violating or undermining any of their rights;
(d) Any form of forced assimilation or integration;
(e) Any form of propaganda designed to promote or incite racial or ethnic discrimination directed against them.”
--From the preamble to the United Nations Declaration on the Rights of Indigenous Peoples, adopted by the General Assembly Resolution 61/295 on 13 September 2007.

• Sales Rank: #1640813 in eBooks
• Published on: 2012-10-31
• Released on: 2012-10-31
• Format: Kindle eBook

Most helpful customer reviews

1 of 2 people found the following review helpful.
A Mish Mash of Science and Argumentation
By Radial Symmetry
Should White British be considered an indigenous people? And if so, does mass immigration of non-whites threaten their rights according to standards the United Nations uses for other peoples?

In Four Flags, Arthur Kemp analyzes the DNA of English, Scottish, and Welsh to determine if they have dwelled as long in Britain as other groups the UN deems indigenous such as the Maori of New Zealand.

Although I agree with Kemp’s conclusions, I think he could have argued his points a little more effectively. His conclusions seem to skip a jump from his evidence. He should have been more explicit with his argumentation.

He commits a faux pas by claiming that “the word genocide literally means the death of genes.” (The people who coined it weren’t exactly thinking of SNPs.)

He overgeneralizes about R1a being an Anglo Saxon haplotype. Elsewhere identifies it as quintessentially Viking even though he previously deems I1 as the Viking haplotype. He should have simply said that R1a and I1 come from both Vikings and Saxons.

Also, appealing to the United Nations’ sense of justice seems futile because its notions of indigenous rights were originally intended to protect nonwhites from whites and not vice versa. Now that nonwhites are capable of pushing whites out of their native lands, the UN will happily plead for the historical context of the term to be used to define it in such a way as to exclude White Europeans from its protections. This is one area where liberals like original intent. However, I’m glad the Indo-Europeans didn’t respect the territorial claims of the aboriginal Europeans whom they conquered. Although I think he makes a good point about the UN being hypocritical and anti-white, he shouldn't look to it for justification. Nevertheless it was helpful how he revealed its double standard regarding protecting the rights of indigenous peoples.

He uses plain technical terms for Y haplotypes and mitochondrial DNA, which is actually refreshing in light of how one author, Bryan Sykes, uses ridiculous “clan member” names in place of each of them in an effort to conjure up an image of an ancestor who probably contributed only a minority of the person’s phenotypic expression. I also appreciated how Kemp lists the various R1b subclades and the areas in England where they are most common. Regarding R1b overall he holds the mainstream view that its bearers resided in northern Spain during the ice age and subsequently travelled north. Also, evidence from archeological sites provides a few interesting case studies of genetic history.

There is hope for the book if some editor could divide it into two, rework some of the verbiage, and iron out the argumentation. In the meantime, if you’re a genes nerd I’d recommend the book because it summarizes things well.

2 of 8 people found the following review helpful.
White supremacy dressed up as science
By Trjgirl
Lead racist for the British National Party. As the other review points out, it's pseudo science gibberish. Basically he's scared of dark men taking "his" white women.

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[D828.Ebook] Ebook Download The Accidental, by Ali Smith

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The Accidental, by Ali Smith

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The Accidental is the dizzyingly entertaining, wickedly humorous story of a mysterious stranger whose sudden appearance during a family’s summer holiday transforms four variously unhappy people. Each of the Smarts–parents Eve and Michael, son Magnus, and the youngest, daughter Astrid–encounter Amber in his or her own solipsistic way, but somehow her presence allows them to se their lives (and their life together) in a new light. Smith’s exhilarating facility with language, her narrative freedom, and her chromatic wordplay propel the novel to its startling, wonderfully enigmatic conclusion.Ali Smith’s acclaimed novel won the prestigious Whitbread Award and was a finalist for the Man Booker Prize, the Orange Prize, and the James Tait Black Memorial Prize.


From the Trade Paperback edition.

• Sales Rank: #125758 in eBooks
• Published on: 2007-04-10
• Released on: 2007-04-10
• Format: Kindle eBook

Amazon.com Review
Before writing The Accidental, Ali Smith wrote Hotel World, shortlisted for both the Orange Prize and the Man Booker Prize, and several short story collections. Her work is absolutely original, with a trademark quirky style, with whole passages that seem to have been bound into the wrong book and occasional historical asides completely outside the narrative line. Don't be fooled; with Smith, every word has a purpose.

Amber is the catalyst who makes the novel happen. She appears on the doorstep of the Smart's rented summer cottage in Norfolk, England, barefoot and unexpected. Eve Smart, a third-rate author suffering writer's block, believes that she is a friend of her husband's. Michael is a womanizing University professor, but he doesn't usually drag his quarry home. He thinks that she must be a friend of Eve's. Everyone is politely confused and Amber is invited to dinner. She is a consummate liar and manipulator who manages to seduce everyone in the family in some significant way.

Magnus, Eve's 17-year-old son from a former marriage and Astrid, her 12-year-old daughter, are easy prey. Magnus is in despair. He played a prank on a classmate and it went horribly wrong when she killed herself because of the humiliation it caused. He cannot shake the guilt and is about to hang himself from the shower rod when Amber walks into the bathroom, the perfect deus ex machina. She bathes him and takes him back downstairs, announcing that she found him trying to kill himself. Everyone titters. Could it be possible? This is a recurring question as Amber's behavior becomes more and more outrageous. Is this really happening, or is it some family-wide delusion? To add to the mystery, there is a Rashomon-like character to the story in that the same events are recalled by the Smarts through their own filters.

This is a completely engrossing novel that raises as many questions as it answers. --Valerie Ryan

From Publishers Weekly
Heather O'Neill plays Amber, a mysterious stranger who wangles her way into the lives of a vacationing English family spending the summer in a remote cottage. O'Neill reads with studious detachment and a persistent air of mischief, as if the entire story is a particularly juicy practical joke. Given Amber's predilection for wreaking havoc in her new adopted family's comfortably misguided lives, the emotion is supremely apropos. O'Neill is joined by a cast of performers, including Ruth Moore as the perpetually harried, perpetually preoccupied Eve, who spends all her time dreaming of the characters of the latest historical novel she's writing, and Stina Nielsen as Astrid, a 12-year-old with a frightening imagination and a propensity for recording the world on her video camera. The bulk of the book, though, is read by O'Neill, who provides a suitably nuanced reading, at times placid, at times flashing an air of free-floating menace. It is her work, above all, that brings Smith's novel to fully fleshed existence.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
Smith's book, which has just won Britain's Whitbread Novel Award, concerns an attractive stranger who shows up on the doorstep of an unhappy family and is unquestioningly taken in. The visitor, armed with a perfect combination of candor, free-spiritedness, and rough love, proceeds to manipulate each of her hosts. Just as abruptly, and, perhaps, predictably, she disappears. We never learn much about her—her only purpose, it seems, was to jolt the family members out of their respective messes—and her righteous self-assurance can get tiresome. But the novel is saved by its skillful and touching rendering of the mental state of each family member. Smith's well-honed, even obsessive prose gives a feeling of eavesdropping on her characters' innermost thoughts.
Copyright � 2006 The New Yorker

Most helpful customer reviews

5 of 5 people found the following review helpful.
Whoops-a-Daisy
By Mark Eremite
It's no secret that writers, especially the literary kind, are known for wearing their works like masks, slipping their hands puppet-like into characters and mugging for their audience: they may not be as smart, attractive, or popular as their characters, but the authors certainly share the same opinions.

In "The Accidental," it's not hard to figure out who author Ali Smith wants to be (or is). She's Amber, a sort of stochastic herbal essence, an earth-flavored, barefoot, dandelion wine of a woman who flounces in a figurative free-fall into the core of the book, twirls about with mad abandon and reckless sexiness, and disappears with just as much speed and consequence. She puts dirty thighs on Heisneberg's uncertainty principle and drops the drawers of chaos theory, manhandling the nuts and bolts inside.

Okay, I'm sorry, I'll be less poetic, even I think Smith herself would appreciate such an out-of-the-lines description. Smith's writing is equally unfettered, and for people who like the idea of meandering through prose the way you might meander through a lovely (and creepy) forest, "The Accidental" is something to cuddle up to. The whole novel reads like one long word game, and even if that means the seriousness of its import is sometimes smeared aside, it also means that for people who love the English language, well, there's plenty here to enjoy.

But that import. Let me not forget the import.

The story is about the family Smarts. Eve is a struggling writer, Michael is an oversexed professor, Magnus is a tortured teen with a secret, and Astrid is a identity-challenged female (one of those thirteen-year-old daughters that cannot accurately be called either girl, woman, or even young lady). Their problems aren't particularly astounding or new, and in many cases, it's hard to sympathize with them, since their troubles are self-brewed and administered (or, in the case of Astrid, normal enough to be boring).

Amber doesn't sympathize with them either. She appears one day at their summer cottage and their lives begin to change. She manipulates and motivates them in the same way any good author drives and directs her characters. The only difference here is that the characters are aware of the manipulation. Step aside, Priandello. Smith's gonna show you a thing or two.

It works in fits and starts (much in the same way that the metaphorical character names are simultaneously profound and heavy-handed), depending on who you sympathize with. I found myself most closely drawn to the adolescent Astrid, but only because her pre-teen angsts were so accurately set up and then so cleanly knocked down. Magnus's shackles of misery and his subsequent liberation I found clever but overdrawn. Eve's self-doubts and dramatics were powerfully done, but ultimately watered down. And Michael, well, the man may well have not existed in the book. As an English professor, some of his sections manage to have the most interesting writing and yet still say the least out of anyone's. Perhaps that's the point.

The book shows us the same things in four different ways, and it's entertaining in the way of jugglers and Rubik's Cubes. It's ultimately the point of the novel that gets in the way, its drive to be something serious. Eve's section ends with a sort-of back-loop to what started the novel, and it's far too cute for the book's own good. She tries to learn and emulate Amber, the novel's catalyst, and although Smith suggests it leads to redemption, I have my doubts.

Because, although Amber is certainly an intriguing character, she is ultimately a marionette with about four strings too many. The book is occasionally punctuated with brief Amber vignettes; related primarily to movies, they are supposed to give us a glimpse into Amber's genesis and upbringing in a world of celluloid and Act 3 miracles, to show us where her free-spirited anarchy found its first birth, and to explain -- in some small measure -- why (or how) this strange woman alters the lives along her seemingly uncharted path. It's Smith's way of bear-hugging the character, of petting her fondly by the fire of her soul.

It's a little patronizing, but it's also understandable. Amber is any author's dream -- something mysterious and sexy, a controlled explosion. Smith wants to use her to teach us something, and even if I didn't feel particularly educated after her exposure (can you guess if the Smarts get smarter?), I did enjoy myself. That part probably wasn't an accident.

5 of 5 people found the following review helpful.
Great virtuosity, small flaws
By wbjonesjr1
I come down on the side of those who see great things in this book. Yes there are some weaknesses: eg. I'm sure Smith could have found more effective and direct ways to make anti-Iraq War statements, and I agree with those that find the poems in the middle gimmicky. In my opinion, Smith creates four great characters and four captivating and emotionally powerful motifs whereby "Amber" shakes each one of them up. Each situation individually and collectively build up considerable tension. And I thought the prose was quite beautiful. All in all, I think what made me admire this book is that I found literary virtuosity where others found pretension. I will look forward to Smith's future books and will not be surprised if one turns out a classic

4 of 5 people found the following review helpful.
Nothing accidental about it, except maybe Amber
By H. Thompson
A family on holiday in a rural county northeast of London is so self-absorbed that they don't realize that they've let a complete stranger into their home. This is the premise of Ali Smith's 2005 novel, The Accidental. The first chapter begins in the first person voice of Amber MacDonald, the stranger; she is the only first person voice in the story. Each of the three sections of the book allows the voice of Amber and each of the four people in the family a stream-of-consciousness narration of their thoughts during a stretch of time. The family: Astrid Smart, the twelve year-old daughter who strives to record all of her life on a camcorder; Magnus Smart, the seventeen year-old son haunted by the suicide of a classmate; Eve Smart, the mother and egotistical author of bad fiction; and Dr. Michael Smart, the step-father and philandering professor; relate their lives in a polyglossic net of third person, present tense episodes. The book moves through time completely within the thoughts of these characters; a modern use of language and structure elements creates a striking, vivid picture of each of their personal crises.
At first look, the characters seem flat, almost stock characters, floating around, too self-centered to notice each other. Astrid's prepubescent musings are whimsical but hardly philosophical; Magnus's depressive, obsessive repetitions are tiresome. Enter Amber. Almost immediately, she saves Magnus from bathroom suicide, becomes the singular obsession of Michael, and gains the trust of Astrid. Amber is the center of conflict in the novel, and the catalyst for the change of each of the family members. While she drives the conflict, however, it would be difficult to say that she is the book's main character--each of the characters brings their own unraveling story to the book, and amazingly, Smith does justice to each of them. Michael, the clich� of the philandering professor, even seems to become self-aware--losing his egoism in the realization that his life is a stereotype. In the only break from stream-of-consciousness style writing in the text, this realization is related in sonnet, free verse, aabb and abab poetry form in the words of Michael.
Because the narration is almost exclusively the stream-of-consciousness presentation of the thoughts of each individual character, the narration does little for exposition beyond what is apparent to the characters. When the characters return home from their vacation at the end of the novel, their house has been stripped entirely empty of everything except the answering machine. It is never discovered what actually transpired to cause this, but Eve suspects that it is Amber's doing. This and other intentional ambiguities add to the mystery of the novel. As epiphanies are reached and characters change their perspectives, the reader must choose which perspective to take on the turn of events, based on the different realities of each of the characters.
One of my favorite elements of the text is the relation of current events to the lives of the characters. At one point, toward the end of the book, Eve is reflecting on some disturbing images recently released from Abu Gharib prison in Baghdad. The picture is a familiar one to the minds of most contemporary Americans, and the description of her reflection on the pictures is probably similar to a fairly recent experience many readers have had. It remains to be told whether this will simply make the book seem outdated in later years, but having snippets of what is still a current situation throughout the text creates a solid sense of a modern setting.
Conventions of devices and structure exist to promote unity and harmony in a text. The Accidental lacks the conventions of dialogue, capitalization, sentence structure, character structure (antagonist vs. protagonist), exposition, punctuation, and use of a single narrator. All these things aside, however, the book still exists as a unified text. The ending of the book is (without being a spoiler) very satisfactory, the text seems harmonized and even one further--believable. There is very little extraneous material, sans one piece: the first person musings of Amber. Amber seems to ramble about little connected with the action of the novel, and her first person narration is completely false. Amber claims to be everything she isn't, and gives absolutely no insight into her character. This is not to say that the book would be any better if the reader knew what Amber was thinking; in fact, it would definitely detract from the intended ambiguity and mystery of the text. However, her parts were rambling, nonsensical, and the author might have done us one better by simply leaving them out. Fortunately, Amber's input is short and the development of the other characters makes up for her extraneous babble.
The unconventional style of Smith's novel is quite successful in telling the story of a pivotal year in the life of the Smart family. The modern structure creates ease of understanding of the characters and their surroundings, and allows the author, in a relatively short text, to relate not one, but four complete stories.

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British Foreign and Imperial Policy explores Britains role in International Affairs from the age of Gladstone and Disraeli to the end of the First World War, exploring such themes as Britain's involvement in the Scramble for Africa, the Anglo-Boer War, the foreign policy of Lord Salisbury and the prospects for Britain and the Empire at the end of the First World War.

• Sales Rank: #2835756 in Books
• Published on: 1999-12-04
• Released on: 1999-10-21
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .29" w x 5.43" l, .40 pounds
• Binding: Paperback
• 128 pages

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• Original language: French
• Dimensions: 7.68" h x .55" w x 11.42" l,
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Taking What's Mine

Alone at night in the middle of nowhere. The town sheriff pulls me over. I should be safe.

I'm not.

Nothing could have prepared me for what he had planned. And my darkest desires should have remained a secret. But it seems he knows everything about me.

I'm his now, and only I will do.

Taking What's Ours

You can't tease two alpha men like Hudson and Ridge and not expect consequences, not when you've become their every obsession.

They have a target...but their one obstacle has long legs, thick curves, and a mouth made for sin.

They do everything together, and Charlotte is no exception. She tempted them...and now they've come to collect. Together.

Can they take what they want and still stick to the plan? Five feet, seven inches of lush addiction says no.

Taking What's Hers

We've all been that girl.

Maybe you did a little social media stalking to check him out. Maybe you just drove by his house to see if he was home. Maybe you took it a step further and followed him once or twice.

We've all gone a little crazy over a guy before.

I went a little crazy. That's how Archer Ware ended up tied to the bed. I should probably feel bad about it, and maybe once I get what I want, I will. But right now he's mine, and that's all I care about.

This isn't the forced submission story you're used to. Valentina will stop at nothing to have the man she wants, and Archer can only take what she gives.

Warning: Obsession beyond control. These books contain situations involving forced submission and dubious consent. Nothing can stop them from having what they feel is theirs. These themes are triggers for some, but sweet candy for others. If you're willing to hold off judgement until the last page, the ending is worth it, I promise.

BONUS: Bundle includes never before seen epilogues for all three stories & chapter 1 of TAKING WHAT’S HIS!

• Sales Rank: #6044 in eBooks
• Published on: 2015-09-16
• Released on: 2015-09-16
• Format: Kindle eBook

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3 of 3 people found the following review helpful.
Hot, Dirty, Raw Quickies
By Sam ~ Redhot Romance
HOLY CRAP! There is no denying it, you get exactly what it says on the cover when you pick up an Alexa Riley book. If you are a fan of quick, dirty reads that are full on hot scenes and over the top situations, then you can't go wrong with this boxset. Alexa Riley is without a doubt my fix for a smutty read.

I really must warn you, if you hav triggers then this is most likely not for you. The title doesn't just suggest about the content, it gives you fair warning.

I LOVED all 3 books in this boxset. Each one centred around the same theme but Alexa did an awesome job of getting each book to stand on it own with different storylines and not the same old, same old in all 3 books.

Without a doubt, the men in all 3 books are over the top and extreme in their actions. There is nothing subtle about them or their actions when claiming "their" woman.

The one thing that I can assure you without a doubt is that Alexa Riley can write a sex scene so hot that your panties will feel like they are melting off you and that you will either need relief or a cold shower to recover from the state that she worked you up into. These scenes are so detailed and hot that you don't even have to use your imagination. If your not a fan of full on, then don't even bother with these.

But even though these stories are short, Alexa pulls you in from the first word and doesn't release you until you have finished. Her writing is engaging, it's raw, it's completely and utterly dirty and while you know the content is something that shouldn't make you hot, you can't help but become inflamed.

What I do have to say is that each of these books comes with it's own little twist. But you have to read them to find out.

I recommend these books to anyone who is looking for something that does not require much power to process, wants a dirty quickie and is not bothered by the dubious consent as the main theme across these books. Just be prepared with a change of undies after.

2 of 2 people found the following review helpful.
Smoking hot bundle of erotic fantasies!!
By Sheila73
Taking What's Mine-
This was definitely one of the best from the Forced Submission series!

Please know that neither I nor Alexa Riley endorse or excuse rape, by any means. Know that each book in this series may begin looking like it's rape, but they are NOT. In the case of this book, it's a forced submission fantasy being put into play. I hope that's not considered a spoiler, I just don't want anyone starting it then stopping because they think they're reading a story that promotes rape. Keep reading and give it a chance to explain itself.

Relax and let yourself be immersed in the fantasy of a hot cop pulling you over and making you enjoy some very naughty things. This book is just as hot as every other book by this author. I always enjoy her work!!
Taking What's Ours- A very hot menage story!! I admit to being slightly uncomfortable at the beginning, because it seemed to be more "forced" than I was okay with. But I knew Alexa wouldn't write a story like that so I hung in there and I'm glad I did! I knew there was more going on than we saw, but the twist at the end still shocked me! It wasn't what I expected at all.

Hudson and Ridge are in prison and make an elaborate escape plan that includes spending some intimate time with the prison doctor, named Charlotte. Although Charlotte was expressing that she didn't want it to happen, her body was reacting differently. You find out why later. Theres an HEA for the characters who actually turn out to be the good guys, not criminal rapists.

The menage scenes were smoking, and the story is short enough that it can be reread anytime you need a sexy little pick me up.
Taking What's Hers-
So what do you get when you have two slightly obsessive stalker-ish people stuck in the same room together? A scenario hot enough to catch my phone on fire, that's what!

Valentina may seem a little crazy at first, what with drugging Archer, tying him to a bed while he's out of it, and making plans to force him to impregnate her. But it all goes awry when Archer's own bit of crazy is revealed.

This is a short and steamy read well worth the time to check it out! We're all a little bit crazy and some of us may have considered acting out on it a time or two, we just don't have the nerve of ballsy Valentina!!

2 of 2 people found the following review helpful.
Great Series!
By KT
This bundle consists of the first three book in Alexa's Forced Submission series. Honestly, no one does erotica like Alexa Riley. Even though each book has the same premise they are all have a different story line and different characters. Just be warned, these books are taboo with a capital T. But that taboo is oh so good! Even if you've read all three books when they were published alone, you need to invest in this bundle because each book has a brand new epilogue. And boy are they good! Love you Alexa!

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• Sales Rank: #1293716 in Books
• Published on: 2002-05-24
• Binding: Paperback

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[K360.Ebook] PDF Download Nymphomania Beginnings Part III: (Taboo Menage Erotica), by Victoria Harp

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Nymphomania Beginnings: Part III

When Mary an addiction therapist begins seeing a new patient she is tossed into a world of sexual desire fueled by unquenchable need. Raquel has disappeared and been out of contact with Mary. Mary's life is now teetering on the edge as she discovers the flame of lust has grown inside her. Will Raquel return? Can Mary keep herself together as she explores her active sexuality? What happens when she stumbles into a bar and is approached by two Marines aiming to take her home with them?

This is an on going series, the third of the Nymphomania Beginnings shorts.

• Sales Rank: #1240991 in eBooks
• Published on: 2015-06-29
• Released on: 2015-06-29
• Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
I hope there is a sequal
By Taylor
I am impressed again by this author. The stories are fantastic and hot. I wish they were longer though. I can't wait to see what else comes from the series!

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