Rabu, 26 Februari 2014

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Einstein's Unfinished Symphony: Listening to the Sounds of Space-Time, by Marcia Bartusiak

A new generation of observatories, now being completed worldwide, will give astronomers not just a new window on the cosmos but a whole new sense with which to explore and experience the heavens above us. Instead of collecting light waves or radio waves, these novel instruments will allow astronomers to at last place their hands upon the fabric of space-time and feel the very rhythms of the universe.

These vibrations in space-time-or gravity waves-are the last prediction of Einstein's general theory of relativity yet to be observed directly. They are his unfinished symphony, waiting nearly a century to be heard. When they finally reveal themselves to astronomers, we will for the first time be able to hear the cymbal crashes from exploding stars, tune in to the periodic drumbeats from swiftly rotating pulsars, listen to the extended chirps from the merger of two black holes, and eavesdrop on the remnant echoes from the mighty jolt of the Big Bang itself.

When Einstein introduced general relativity in 1915, it was hailed as a momentous conceptual achievement. Einstein attained celebrity status. But, once scientists verified what they could of the theory, given the scant experiments available at the time, general relativity became "largely a theoretical curiosity," writes Marcia Bartusiak.

Now, after decades of technological advancement, general relativity is being tested with unprecedented accuracy. It even affects our everyday lives. Satellites used by both travelers and soldiers to peg their positions require constant corrections of Einsteinian precision. Meanwhile, the first gravity-wave "telescopes"-including the LIGO facility-are about to come alive.

In Einstein's Unfinished Symphony, Bartusiak captures the excitement as two gravity-wave observatories in Louisiana and Washington State, as well as others in Italy, Germany, and Japan, approach operation and physicists gear up to begin their work to register the long-predicted quakes in space-time.

With each chapter, Bartusiak continues her musical metaphor in tracing the story of general relativity, from the time "Maestro" Einstein enters physics, through the "Starlight Waltz" of neutron stars twisting space-time around themselves, to the "Dissonant Chords" of controversy as physicists fight to get their radically new observatories approved, through the "Finale" as a worldwide endeavor in gravity-wave astronomy is launched.

  • Sales Rank: #458193 in Books
  • Published on: 2000-12-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.01" h x 6.28" w x 9.33" l,
  • Binding: Hardcover
  • 264 pages

From Publishers Weekly
Einstein is hot this year; not only has his brain traveled cross-country but his personal and scientific lives are being explored in depth. Gravity waves aren't as well-known as the more familiar theory of E=mc2 (which is getting its own book this season, see Forecasts, Sept. 18), but cross-promotion of related titles will boost sales of this graceful little book about the mysterious subject. Those waves are the only form of radiation predicted by Einstein's theory of relativity that remain undetected (a gravity wave is created by the movement of an object; it is not the same as gravitational attraction). Unlike a wave of light, which moves through a medium, space-time, a gravity wave is similar to a wave in water, which is movement of the mediumDhowever, a wave on a pond will go around you as you sit in a fishing boat, whereas a gravity wave will go through an astronaut in a spaceship as easily as it will pass through a star. Scientists predict the only gravity waves we will be able to detect at first are those from such galaxy-shaking events as supernova explosions or the collisions of binary neutron stars, but once gravity waves are graphed and analyzed, we should be able to confirm the existence of black holes, explore time back to the threshold of the big bang, and accurately map the dimensions of the universe. Today kilometers-long interferometer detectors are going online in Washington and Louisiana to detect gravity waves. Tomorrow scientists hope to have a space-based observatory tagging along behind Earth as it orbits the sun. Bartusiak (Thursday's Universe) has been writing about gravity waves for more than a decade, and her familiarity with the search and the scientists involved results in a thorough, engrossing and valuable chronicle. B&w illus. 25,000 first printing; author tour; Library of Science and Astronomy Book Club selections. (Oct.)
Copyright 2000 Reed Business Information, Inc.

Review
"Bartusiak excitingly relates the hunt for proof of the gravity waves predicted by Einstein." -- Discover, November 2000

"Bartusiak's lively style [has] the reader rooting for scientists...who wait eagerly...for the universe to play them a tune." -- Astronomy Magazine

"Bartusiak...gives a sense of the ebb and flow of confidence among scientists trying to hunt down gravitational waves." -- Robert Matthews, New Scientist

"Einstein predicted that gravitational waves exist...If found, the waves will be audible: Scientists could listen to a collapsing star." -- U.S. News & World Report, Nov. 6, 2000, TOP PICK OF THE WEEK, 2000

"When a gravity wave is first detected... reader of this book will feel like a participant in the great event." -- David Goodstein, The New York Times Book Review, NOTABLE BOOK FOR 2000

Best Sci-Tech Books of 2000 -- Library Journal

From the Publisher
Marcia Bartusiak won the 2001 American Institute of Physics Science Writing Award for her book, Einstein's Unfinished Symphony

Most helpful customer reviews

3 of 3 people found the following review helpful.
Great review of the history of gravitational wave physics
By Jarrod D. Knudson
The book takes you on a journey through the history of physics since Einstein published his theories of relativity. Sufficient background information is provided without the mathematical details that might handicap those of us in other fields. Ms. Bartusiak does a fine job of explaining the many intricacies of relativity and gravitational wave physics in a clear and concise manner (for the physics layperson).

A detailed account of the testing of Einstein's theories during his lifetime and over the decades since he left us is provided. Einstein's insight was phenomenal (at least as far as I am concerned, being a non-physicist/engineer). I'm still amazed by the leap that he was able to take, thus changing physics forever. Not since Newton has anyone changed the face of our perception of the physical world around us (the universe's many objects and the evolution of the concept of space-time).

The majority of the text is devoted to the decades of research and development over gravitational wave detection. The concerted effort in the field is actually quite phenomenal. Since gravitational waves have never officially been detected, one might surmise that the book can't be very exciting. On the contrary, the history of the development of the technology for modern day test detection systems is very fascinating. I learned a great deal about the basic premises of relativity physics without having to take three or four courses in calculus. I was actually quite thrilled to find a book so easy to follow.

I will be rejoycing for Einstein (and all of humankind) when the headlines read, "for the first time, ripples through space-time have been recorded across the globe". What a glorious day for science. I can't wait!!!

5 of 5 people found the following review helpful.
An important preview of things to come
By Robert Adler
This book provides a rare opportunity for non-scientists to understand an important scientific advance before it happens.

Bartusiak provides readers with a thorough history of the decades of theorizing, organizing, and development that have led to the current generation of gravitational-wave observatories eagerly awaiting the first detection of the space-distorting pulses predicted by Einstein's theory of relativity nearly a century ago.

From my point of view, the book presents a bit more of the history and politics of gravitational-wave research, and a bit less of the science, than I might like. Still, Bartusiak tells a very important story in great detail. She clearly did her homework; the book is full of the kind of details that come only from visiting sites and interviewing key players face-to-face.

I thought that the most important point Bartusiak made did not come until at least two-thirds of the way through the book. She finally made it clear that the key problem in detecting gravitational waves rippling through spacetime is isolating the detector from every other influence, insulating and quieting it to the point that a change in length no larger than a fraction of the diameter of an atom can be detected. That's why, when gravitational waves are finally detected, it will be a great technical triumph as well as a vindication of Einstein's theory and a powerful new window on the universe.

On the whole I'd describe Bartusiak's writing as clear and well organized, but not inspiring. However, she did come up with one delightful metaphor. In describing the impending collision of two black holes, one of the predicted sources of detectable ripples in spacetime, she wrote, "Picture two black holes slowly circling each other, like a pair of sumo wrestlers warily checking each other out in the ring." I would have liked the book even more if Bartusiak had provided more imaginative writing like that, and more science as well.

Still, if you want to know what the first detection of gravitational waves will mean, and the enormous amount of effort that has gone into this impending discovery, _Einstein's Unfinished Symphony_ is well worth reading.

Robert Adler, author of _Science Firsts: From the Creation of Science to the Science of Creation_ (Wiley & Sons, 2002); and _Medical Firsts: From Hippocrates to the Human Genome_ (Wiley & Sons, 2004).

0 of 0 people found the following review helpful.
A Tribute to Joseph Weber, the LIGO project and Much More
By Tatsuo Tabata
In this book Marcia Bartusiak, an excellent science journalist, writes about scientists' endeavors to detect gravitational waves coming from deep space. The existence of gravity waves was predicted by Albert Einstein's theory of general relativity, and they are considered to have the frequency falling into the audio range, but no one has ever listened to them. Thus the author elegantly entitled this book "Einstein's Unfinished Symphony." Each chapter also has the title related to music. For example, the chapter about the discovery of the Hulse-Taylor binary pulsar, indirect evidence for gravity waves, is cogently entitled "Pas De Deux."
Bartusiak's sentences are also rhythmic like music, especially in the earliest chapters, so that the reader comfortably learns about Einstein's discovery of the origin of gravity and Renaissance in relativity made theoretically by John Archibald Wheeler and experimentally by Robert Dicke. Wheeler is cited to have explained general relativity in one clear sentence, "Mass tells space-time how to curve, and space-time tells mass how to move."
The pioneer of experimental work directly to catch gravity waves was Joseph Weber. He published his first results in 1969, claiming evidence for observation of gravity waves based on coincident signals from two bar detectors. Unfortunately, by the middle of 1970s nearly everyone came to agree that Weber was mistaken. Bartusiak writes that Weber had however created a momentum that could not be stopped. Weber died on 30 September 2000, just a few months before the publication of this book. Thus the book partially happened to become one of the earliest tributes to Weber. His first bar detector is now shown in the Smithsonian Institution in Washington, D. C.
Then comes the central story of this book, the construction, improvements and prospects of the Laser Interferometer Gravitational-wave Observatory (LIGO). LIGO is a gigantic instrument system placed in Livingston, Louisiana, and Hanford, Washington. Its construction started as a collaborative project, involving dozens of scientists and the cost of more than $370 million. Among those scientists, Rainer Weiss is considered to be the founding father of the effort. His career began with a determination to get rid of the noises in a hi-fi system, only to transfer that interest ironically or rather wonderfully to reducing the noises that could mask a gravity wave.
Each piece of LIGO's detector includes a marvel of engineering. LIGO's "classy" physics and the virgin territory of possible gravity wave astronomy are gathering young physicists from around the world. Potential sources of gravity waves cataloged so far by Kip Thorne's Caltech team and other theoretical groups around the world are many and varied from black hole collisions to neutron-star mountains. The author tells us all the details of these in a quite understandable manner. She also describes gravitational research in countries other than United States and projects by the use of spacecrafts.
The book is well balanced between theory and experiment, between science and sociology, and between anecdotes and stories of serious pursuit. As for anecdotes, there is one about the fact that the term "black hole" caused a problem for a while in France. Read the book for the reason. This is a masterpiece of nonfiction, and will absorb the mind of both a scientist and a layperson.

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Molecular Gas Dynamics and the Direct Simulation of Gas Flows (Oxford Engineering Science Series), by G. A. Bird

The direct simulation Monte Carlo (DSMC) method has, in recent years, become widely used for engineering and scientific studies of gas flows that involve low densities or very small physical dimensions. The method is a direct physical simulation of the motion of representative molecules, rather than a numerical solution of the equations that provide a mathematical model of the flow. The computations are no longer expensive and the period since the original 1976 publication of this work has seen enormous improvements in the molecular models, the procedures, and the implementation strategies. This greatly expanded new version of the author's seminal Molecular Gas Dynamics will be considered the definitive text on the subject. It includes all the refinements and research since the earlier book. The molecular theory of gas flows is developed from first principles and is extended to cover new models and procedures. The method and typical applications are illustrated through 13 demonstration programs that are listed in FORTRAN source code on a companion website. All numerical results in the book have been obtained from these programs. The applications range from verification cases for simple homogeneous gases to complex multidimensional flows of gas mixtures and chemically reacting flows.

  • Sales Rank: #1441345 in Books
  • Published on: 1994-06-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.50" h x 1.40" w x 9.50" l, 2.00 pounds
  • Binding: Hardcover
  • 484 pages

Review

"This book discusses fundamentals of rarefied gas dynamics, focusses on the numerical simulation of physical situations and provides applications to test cases. . .The book profits mainly from the immense practical experience of the author. . .It is recommended to people who are interested in gaining insight into practical aspects and applications in the field." --Mathematical Reviews


About the Author
G. A. Bird is at University of Sydney.

Most helpful customer reviews

6 of 7 people found the following review helpful.
Tour de Force
By Ray Finucane
An astonishing accomplishment by the man who more or less invented the field of DSMC calculation. Includes a handy-dandy disk (with source) so you can run you own problem with a variety of different boundary conditions. See also Bird 1973, Phys Fluids, v16 pp1830-1834.

0 of 0 people found the following review helpful.
Excellent Book
By Mr H.
Despite the odd typographical error, this book is outstanding. It is clear, concise and quite readable. Material is presented in a manner which is easy to understand. The only slight criticisms are that my copy did not include the promised computer disk, that often the descriptions of what the code does are often hard to understand and that the binding on the book is of extremely poor quality (my copy was losing pages within days of purchase). Otherwise very highly recommended.

1 of 1 people found the following review helpful.
Great Material -- This edition is terribly made...
By C. Moore
I gave the material in the book 5 stars, but the new edition 0 stars (at least for ~$200). My advisor just bought the newest edition (the old one finally falling apart after years of use) and it is cheaply made. The binding is already coming apart and the text is difficult to read because the text is fuzzy. Hopefully Dr. Bird will write a newer edition with some of the most recent advances and a better printing.

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Minggu, 09 Februari 2014

[T580.Ebook] Free PDF Cancer Nanotechnology: Principles and Applications in Radiation Oncology (Imaging in Medical Diagnosis and Therapy)From Brand: Taylor Fr

Free PDF Cancer Nanotechnology: Principles and Applications in Radiation Oncology (Imaging in Medical Diagnosis and Therapy)From Brand: Taylor Fr

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Cancer Nanotechnology: Principles and Applications in Radiation Oncology (Imaging in Medical Diagnosis and Therapy)From Brand: Taylor Fr

Cancer Nanotechnology: Principles and Applications in Radiation Oncology (Imaging in Medical Diagnosis and Therapy)From Brand: Taylor Fr



Cancer Nanotechnology: Principles and Applications in Radiation Oncology (Imaging in Medical Diagnosis and Therapy)From Brand: Taylor Fr

Free PDF Cancer Nanotechnology: Principles and Applications in Radiation Oncology (Imaging in Medical Diagnosis and Therapy)From Brand: Taylor Fr

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Cancer Nanotechnology: Principles and Applications in Radiation Oncology (Imaging in Medical Diagnosis and Therapy)From Brand: Taylor Fr

Rapid advances in nanotechnology have enabled the fabrication of nanoparticles from various materials with different shapes, sizes, and properties, and efforts are ongoing to exploit these materials for practical clinical applications. Nanotechnology is particularly relevant in the field of oncology, as the leaky and chaotic vasculature of tumors―a hallmark of unrestrained growth―results in the passive accumulation of nanoparticles within tumors.

Cancer Nanotechnology: Principles and Applications in Radiation Oncology is a compilation of research in the arena of nanoparticles and radiation oncology, which lies at the intersection of disciplines as diverse as clinical radiation oncology, radiation physics and biology, nanotechnology, materials science, and biomedical engineering. The book provides a comprehensive, cross-disciplinary survey of basic principles, research techniques, and outcomes with the goals of eventual clinical translation.

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  • A general introduction to fabrication, preferential tumor targeting, and imaging of nanoparticles
  • The specific applications of nanomaterials in the realms of radiation therapy, hyperthermia, thermal therapy, and normal tissue protection from radiation exposure
  • Outlooks for future research and clinical translation including regulatory issues for ultimate use of nanomaterials in humans
  • Reflecting profound advances in the application of nanotechnology to radiation oncology, this comprehensive volume demonstrates how the unique physicochemical properties of nanoparticles lead to novel strategies for cancer treatment and detection. Along with various computational and experimental techniques, each chapter highlights the most promising approaches to the use of nanoparticles for radiation response modulation.

    • Sales Rank: #4317382 in Books
    • Brand: Brand: Taylor Francis
    • Published on: 2013-01-08
    • Original language: English
    • Number of items: 1
    • Dimensions: 10.90" h x 1.00" w x 8.50" l, 2.25 pounds
    • Binding: Hardcover
    • 284 pages
    Features
    • Used Book in Good Condition

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    [E714.Ebook] Ebook How Music Works, by David Byrne

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    How Music Works, by David Byrne

    How Music Works is David Byrne’s remarkable and buoyant celebration of a subject he has spent a lifetime thinking about. In it he explores how profoundly music is shaped by its time and place, and he explains how the advent of recording technology in the twentieth century forever changed our relationship to playing, performing, and listening to music.

    Acting as historian and anthropologist, raconteur and social scientist, he searches for patterns—and shows how those patterns have affected his own work over the years with Talking Heads and his many collaborators, from Brian Eno to Caetano Veloso. Byrne sees music as part of a larger, almost Darwinian pattern of adaptations and responses to its cultural and physical context. His range is panoptic, taking us from Wagnerian opera houses to African villages, from his earliest high school reel-to-reel recordings to his latest work in a home music studio (and all the big studios in between).

    Touching on the joy, the physics, and even the business of making music, How Music Works is a brainy, irresistible adventure and an impassioned argument about music’s liberating, life-affirming power.

    • Sales Rank: #216602 in Books
    • Brand: Brand: McSweeney's
    • Published on: 2012-09-12
    • Ingredients: Example Ingredients
    • Original language: English
    • Number of items: 1
    • Dimensions: 1.60" h x 7.10" w x 9.10" l, 2.40 pounds
    • Binding: Hardcover
    • 352 pages
    Features
    • Used Book in Good Condition

    Amazon.com Review
    Amazon Best Books of the Month, September 2012: It's no surprise that David Byrne knows his music. As the creative force behind Talking Heads and many solo and collaborative ventures, he's been writing, playing, and recording music for decades. What is surprising is how well his voice translates to the page. In this wide-ranging, occasionally autobiographical analysis of the evolution and inner workings of the music industry, Byrne explores his own deep curiosity about the "patterns in how music is written, recorded, distributed, and received." He is an opinionated and well-educated tour guide, and the resulting essays--on topics from rockers' clothes to the role of the turntable, concert stages to recording studios--will give you an entirely new perspective on the complex journey a song takes from conception to your iPod. --Neal Thompson

    From Booklist
    *Starred Review* Most people know idiosyncratic, Scottish-born David Byrne as the front man of that great new wave band, Talking Heads. But he is also an author, painter, photographer, and film and record producer. In this wide-ranging celebration of the power of music, he discusses, among many topics, the early days of the recording industry, various types of music venues, birdsong and whale calls, the significance of mixtapes, the development of CDs, his love of African rhythms, and the concept of creativity and what it means to be creative. But he also mentions his own career as well as the many collaborators he has worked with, including English musician and producer Brian Eno, Brazilian composer and singer Caetano Veloso, and DJ Fatboy Slim. He describes the origin of his twitchy stage persona and acknowledges his own shyness, describing himself as “a withdrawn introvert,” whose most comfortable way of communicating was, he says, onstage. (“Poor Susan Boyle; I can identify,” he writes). At one point, he even self-diagnoses himself as having a mild form of Asperger’s syndrome. He concludes by asking provocative questions: What is music good for? Why do we need music? “Funding future creativity is a worthy investment,” he insists. Endlessly fascinating, insightful, and intelligent. --June Sawyers

    From Bookforum
    Byrne's book tells a version of the musical life that is deliberately less dramatic and heroic than first-person accounts by musicians usually are. That's because How Music Works isn't just a memoir... it meanders at some points, or lapses into a digest of Byrne's broad reading on various subjects. In a book that covers so much ground, often with a zoomed-in level of detailed focus, it's up to the reader to find the through lines that speak to his or her particular concerns. —Simon Reynolds

    Most helpful customer reviews

    180 of 192 people found the following review helpful.
    Musical Musings: A Hodge-Podge
    By Dr. Debra Jan Bibel
    Byrne begins his wide-ranging historical, technological, psychological and sociological examination of music with a novel insight: architecture of musical venues shape composition and instrumental arrangements. Regarding huge gothic cathedrals, intimate nightclubs, and jungle camp sites, room reverberation, volume of space, and audience vocal ambience dictate modal versus scale works, instrument development, and performance dynamics. The great revolutionary divide was recording technology, and musicians discovered that what works live does not necesarily achieve the same result on vinyl, tape, CD, or .mp3, and vice versa. Expectations often lead to disappointment and the performance and performer suffers. With such an interesting introduction, the book offers much promise. It almost fulfills expectations with both personal and general tidbits and theses that reward the reader, though for myself his personal examples are somewhat weaker.

    The second chapter is an musical autobiographical section describing the evolution of his music and stage attire over the succeeding eras of rock. In his world travels, his encounter with Japanese and Balinese traditional music and theatre art had a profound influence on the development of his stage craft. One of his suits clearly had classic Japanese origins.

    Chapters 3 and 4 return to musicology with an expansion of the role of technology, recording and playback. The historical account is amusing when considering the delusions of reality instilled by each new device on the unconditioned and uneducated ear. The ideal of recordings was and remains an actual live performance, particularly among classical music fans; but the alternative worthy philosophy is the electronic creation of uniquely shaped sound itself, as with tape editing, synthesizers and digital programming, and electric instrument design. Oddly, computerized editing of recordings to achieve perfection in tempo, pitch, and so forth proved imperfect to the ear and lacking in warmth and positive emotional value. Byrne does not elaborate in later chapters, but recordings (and its transmission over radio) changed society by uniting peoples, speeding musical development, and (for instance, in Brazil) of overturning governmental policy of approved musical forms. I do not share Bryne's lament about the calculus-like wave sectioning of digital CDs over analogue LPs because of psychoacoutics, an aging ear, and the fact that speakers are yet analogue in their cone movement and shaping. Of interest is Byrne's belief that we are now so awash in music, indeed private music on personal .mp3 players and smart phones, that live performances are becoming more important, as that increasingly rare commodity, silence. I enjoyed Bryne's relating, in brief James Burke fashion, the connection of the Chinese mouth organ, the shen, to digital computers.

    Chapter 5 is again more personal with Bryne's experiences in a recording studio and the art, engineering, and strategy of creating an album. Entire books have been written and documentary films have focused on this subject, but the use of computers on mixing boards is a new phenomenon.

    The following chapter discusses his collaborations. He had already mentioned his albums with Brian Eno, but now Byrne moves beyond Talking Heads by developing music with Caetano Veloso and choreographer Twyla Tharp and creating with Norman Cook [Fatboy Slim] a theatrical piece on the Philippine's Imelda Marcos.

    Chapter 7 is all about the business and financial side of the music industry. There are pie charts. He explains the very recent changes in industry, when musicians can edit and mix their music on their laptop computers and distribute it via digital download and cloud companies and promote themselves with YouTube videos and have kickstarter campaigns to get public underwriters. The giant brick & mortar record shops (Tower, Borders, Virgin Megastore) are no more and the power of music labels are severely diminished. This chapter should be read by anyone considering how to create and promote their own music; he describes various business models.

    The next chapter furthers practical advice on the choice of venues, song material, the courage to be different, responsibility to band members and fellow musicians, and so on. It is a peculiar chapter for such a book.

    Chapter 9 pulls back to a shotgun approach critical of musical elitism and lauding the amateur musician. In the days before mass-marketed recordings, there was a piano in the parlor. Even in the 1960s, every kid (yours truly included) had an acoustic guitar, singing folk songs. Until very recently, courses in music appreciation were dedicated only to classical music and rarely jazz. Governmental and corporate funding erected costly symphony halls and museums. Byrne seems to ignore the reality that these measures were to preserve and encourage endangered music styles and that the masses are doing fine in supporting pop and avant-garde culture, filling stadiums and arenas and small local music joints. Symphony halls are not restricted to dead European composers; I have heard contemporary American, Japanese, Argentinian, Iranian, and other world composers. Still, the point is taken when middle and high schools do not offer music and art classes and other nations support amateur musicians, music clubs, and youth bands and orchestras. Music and art should not be passive art forms.

    The final chapter covers music as a human, biological, and indeed metaphysical essence. This historical and anthropological section sketches prehistorical, ancient, and early modern musical instruments, musical sciences, and philosophies. Everything vibrates, from atoms to planets. He does not include it, but string theory of matter involves vibrating strands of energy. Bryne briefly mentions the differing scales of music across the planet, the relationship of language and speech to music, neurological imprinting of music and its performance, music in religious rituals [Taliban and similar zealots aside], the natural ambient music appreciated by John Cage and the composed ambient music of Satie, Eno, and Feldman, and various other aspects of music. Bryne can only touch upon these large subjects as he closes the book. While it may lead to further reading, I find the section too scattered to be truly effective.

    This grand book, with its padded cover, offers a little of everything to everyone. Fans of Bryne, as leader of the Talking Heads or as musicologist, will surely find much to appreciate here. I do think, however, that he could have prepared two smaller books, one dedicated to the practice of musicmaking today and one to music's historical and anthropological aspects.

    48 of 48 people found the following review helpful.
    Terrific book for music lovers and content creators alike
    By David Meerman Scott
    This is David Byrne week for me. On Sunday, I caught the sensational David Byrne and St. Vincent show at the Orpheum Theater in Boston. The last time I saw Byrne live was when I caught the Talking Heads on August 19, 1983 at the old Forrest Hills Tennis Stadium in New York City. So, clearly I was already a Byrne fan.

    How Music Works

    The other part of David Byrne week is his fabulous new book How Music Works. The book is Byrne's take on the industry he's succeeded in. He offers keen observations about the music industry, the art of making music, telling stories in the book using a combination of history, anthropology, and music theory. I love this book!

    In particular, Byrne has a fascinating take on the development of music, which is quite different from what other music historians say. In a chapter titled "Creation in Reverse" he argues that music evolves to fill the space where it is performed.

    For example, the Talking Heads evolved in the 1970s at New York punk club CBGB requiring volume to overcome the din. The sparse music that came out of the CBGB scene such as the Ramones and Television worked perfectly for that room.

    Music that evolved in gothic cathedrals (lots of reverberation) has long notes with no key changes. Carnegie Hall and other similar rooms require texture. With discos, people made music to exploit the fantastic sound systems and people's need to dance. Rock music played in hockey arenas (the worst acoustics on the planet) must be straightforward with medium tempos. You get the idea. The music that is successful works perfectly for each venue.

    With personal sound systems (starting with the Walkman in the 1970s then evolving into MP3 players such as the iPod), all of a sudden you can hear every single detail. This allowed pop music to evolve from its early radio form.

    Byrne has a 2010 TED Talk on this idea: "How architecture helped music evolve."

    How Content Works

    As I devoured How Music Works I was constantly thinking how Byrne's ideas apply to other forms of content. I think the ideas are valid when thinking about the written word, video content, and the Web. I used the ideas in How Music Works to formulate ideas about content in general.

    David Byrne's How Music Works is amazing. Read it. And as you do if you're not in the music business, feel free to substitute "content" for "music" and see where the ideas lead you.

    1 of 1 people found the following review helpful.
    I highly recommend this book to people who really want to understand ...
    By KRR
    I highly recommend this book to people who really want to understand musicology, how music affects people and conversly the use of music to change environments. I couldn't put it down.

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    [U405.Ebook] PDF Download Overcoming Your FBA Fears, by Stephen Smotherman, Rebecca Smotherman

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    Overcoming Your FBA Fears, by Stephen Smotherman, Rebecca Smotherman

    Too many times in our FBA businesses, we let our fears hold us back from achieving our fullest potential. In this book we address ten of the most common fears in running an FBA business. The goal of this book is to replace your fears with truths and challenge you to take actions that will propel you further down the road of success. You no longer have to let these fears hold you back as a reseller!

    • Sales Rank: #351301 in eBooks
    • Published on: 2015-12-15
    • Released on: 2015-12-15
    • Format: Kindle eBook

    Most helpful customer reviews

    7 of 7 people found the following review helpful.
    Great Encouragment!
    By Michael Harris
    What my wife and I appreciate in reading this book together is that you get to hear about facing fears in this business from both Stephen and Rebecca. We were ecouraged to let go the myths about paying for so many services to run this business. Our time is super tight with six homeschoolers and after reading this book and the SUPER helpful suggestions we are going full steam ahead in our FBA business pursuit!

    3 of 3 people found the following review helpful.
    Good book for the FBA beginner!
    By Angel
    This is a nice little book for someone who is dabbling in FBA or considering selling FBA but has some general questions or concerns. It offers some pretty good basic information such as using CamelCamelCamel for researching item history as well as some guidelines to help someone entering the FBA market to consider.

    As I have about a year of experience in selling on the Amazon FBA (and seller fulfilled as well) I personally didn't take much information away from the book that I didn't already have. My personal opinion is it is very easy to say offer excellent customer service, and we do, but some of the Amazon customers just know how to play the game to get free things. Sorry, but that is the absolute truth. Are they the minority, sure, but they still eat into your profits when they return products that they damaged maliciously for a full refund. Yes, that is an extreme, but I have seen it. Again, this is the rare exception, but you do need to be aware of this aspect of the business. As long as you do right and provide good quality customer service and try to resolve your customer issues, you should be set. But just be aware you are going to lose some money as there are bad buyers and they do get more coddling than they probably should. Now, also to be fair, Amazon does take steps to weed out the abusers. I know that as a fact too, but it does take time and unfortunately sellers do lose some money while they vet out a potential customer who is abusing the system.

    All that said, and back to the book, I do think this is a great book for beginners to help understand the very basic information about selling on Amazon FBA. My biggest recommendation to anyone looking to do so, is to just do you research, and make absolutely certain that you understand all the fees that you have to pay because many sellers don't calculate properly and end up losing money and not realizing the fees that are required.

    Bottom line this is a good basic book for the FBA beginner. I also recommend looking at Amazon seller forums for lots and lots more information. The more knowledgeable you are, the smoother the transition will be for you. I can tell you that the business that I am running has really grown our FBA business in the past year and now we have about 50% of our inventory in FBA and our sales have significantly increased by really learning how to focus on supplementing our sales by offering FBA. I did receive this book for free in exchange for my honest and unbiased review.

    4 of 4 people found the following review helpful.
    Great book for all levels of an Amazon business
    By Michelle Tweardy
    Great book for all levels of an Amazon business. Straightforward real advice from two experienced sellers. Each chapter provides a clear explanation and the action steps needed to overcome your fears....in an easy to follow format.

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    Senin, 03 Februari 2014

    [R904.Ebook] Download Encyclopedia of African American History, 1619-1895: From the Colonial Period to the Age of Frederick Douglass Three-volume set (Encycloped

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    Encyclopedia of African American History, 1619-1895: From the Colonial Period to the Age of Frederick Douglass Three-volume set (Encycloped

    • Sales Rank: #13202023 in Books
    • Published on: 1994
    • Binding: Paperback

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