Kamis, 25 Agustus 2011

[R659.Ebook] Ebook Download Principles of Fraud Examination, by Joseph T. Wells

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Principles of Fraud Examination 4th Edition�by Joe Wels contains engaging real-life case studies and an analysis of the complexity of frauds and fraudulent behavior incorporated throughout the book. This text provides a broad understanding of fraud—what it is and how it is committed, prevented, and resolved. Principles of Fraud Examination 4th Edition begins by providing an understanding of fraud examination methodology then documents the schemes used by executive, managers, and employees to commit fraud against their organizations. Case studies, complete with statistics and flowcharts, are provided for each chapter. The primary focus of this text is maintained in the updated edition, with coverage of the actual accounting and human behaviors that lead to cases of accounting fraud. The 4th edition includes updates to reflect new and revised accounting standards and laws, updated statistics to include the most recent ACFE findings, and moderate changes to end of chapter material. Also included in the newest edition is updated coverage of recent examples of fraud accounting in the real world.

  • Sales Rank: #102916 in Books
  • Brand: Brand: Wiley
  • Published on: 2013-10-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.01" h x .65" w x 10.02" l, .0 pounds
  • Binding: Paperback
  • 544 pages
Features
  • Used Book in Good Condition

About the Author
JOSEPH T. WELLS, CFE, CPA, is Chairman of the Board of the National Association of Certified Fraud Examiners in Austin, Texas.

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18 of 19 people found the following review helpful.
This Is the Textbook version of Corprate Fraud
By scg
This book is excellent and very readable. It is the textbook version of Corporate Fraud Handbook: Prevention and Detection by the same author which costs less. So unless you are using this in class or teach from it get the Corporate Fraud Handbook...it costs less. Either way you won't be sorry for having the book. It is worth it.

5 of 5 people found the following review helpful.
Excellent overview of Fraud Examination
By Eliza Lane
I needed this book for a required Forensic Accounting class at my college. I have to say, it was one of the more interesting textbooks I have ever read. This text incorporates a lot of case studies, which is interesting. The author is also extremely well known in his field, and his knowledge is very evident. I especially liked the way the text was organized, with an overview of the type of fraud, and then details about how the fraud is committed, and then a detail of what type of internal controls would have prevented or detected the fraud. Most chapters also have a list of computer tests you can run to detect fraud, which I imagine could be very helpful for the business owner/accountant. I think this text would be perfect for not only a college setting, but for anyone currently working in business that is worried about fraud in their organization.

4 of 4 people found the following review helpful.
Good read...just buy it in print!
By Stephanie Russell
Easy to read. I purchased this for a class and will be continuing to use this in the future. The cases make the required reading that much more enjoyable because they are interesting and tie the material together nicely. 1-star deduction is for Kindle format. I hated it. While I like that the book is searchable on Kindle, I did not care for the print that could not be enlarged.

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Rabu, 24 Agustus 2011

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  • Published on: 1600
  • Binding: Hardcover

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Selasa, 23 Agustus 2011

[L825.Ebook] Ebook Hannah Arendt: Twenty Years Later (Studies in Contemporary German Social Thought)From The MIT Press

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Hannah Arendt: Twenty Years Later (Studies in Contemporary German Social Thought)From The MIT Press

Hannah Arendt (1906-1975) was one of the most important political philosophers of our century. Born in Germany, Arendt studied with Martin Heidegger and Karl Jaspers. She escaped after the Nazis came to power; remained stateless until 1951, when she became a U.S. citizen; was the first woman appointed to a full professorship at Princeton; and became a prominent "public intellectual" whose positions were often controversial. Her major works include The Origins of Totalitarianism, Eichmann in Jerusalem: A Report on the Banality of Evil, The Human Condition, and The Life of the Mind (unfinished at her death). Now, twenty years later, this collection of fifteen essays brings her work into dialogue with those philosophical views that are at center stage today -- in critical theory, communitarianism, virtue theory, and feminism. The essays are divided into four sections: Political Action and Judgment; Ethics and the Nature of Evil; Self and World; and Gender and Jewishness. An extensive bibliography of work on Arendt in English is included as an appendix.

  • Sales Rank: #1785867 in Books
  • Published on: 1997-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .80" w x 6.00" l, 1.37 pounds
  • Binding: Paperback
  • 392 pages

Review

"This collection provides innovative and provocative readings andre-readings of significant aspects of Arendt's work, suggestingthat, twenty years after her death, we can better afford to listen toher. Because of the caliber of the contributors, this will make asignificant contribution to the exponentially growing field of Arendtscholarship." Lisa J. Disch, University of Minnesota

About the Author
Larry May is Professor of Philosophy at Washington University in St. Louis. Jerome Kohn is Adjunct Professor of Philosophy at Cooper Union and Lecturer in Humanities at the Graduate Faculty of the New School for Social Research.

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Jumat, 19 Agustus 2011

[H102.Ebook] Free Ebook Help I'm married to a mafia boss! (Gavino series Book 1), by Shafira Sardar

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Gabriella managed to live in her head, pretending her life was perfect until the day her father got taken away from her. The people who murdered him were not done with the job and managed to kidnap her making her think at that moment her life was over. When she gets saved by her father’s closest friend he gives her two options. Either she marries his son and forever live under the protection of his family or try to survive on her own. Not wanting her life to end she chooses option one. Now she can no longer pretend she doesn’t live in the world filled with blood and tears because she married the head of the most dangerous family alive.

  • Sales Rank: #281843 in eBooks
  • Published on: 2016-01-20
  • Released on: 2016-01-20
  • Format: Kindle eBook

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Senin, 15 Agustus 2011

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A manual for opening the doors of perception and directly engaging the intelligence of the Natural World

• Provides exercises to directly perceive and interact with the complex, living, self-organizing being that is Gaia

• Reveals that every life form on Earth is highly intelligent and communicative

• Examines the ecological function of invasive plants, bacterial resistance to antibiotics, psychotropic plants and fungi, and the human species

In Plant Intelligence and the Imaginal Realm, Stephen Harrod Buhner reveals that all life forms on Earth possess intelligence, language, a sense of I and not I, and the capacity to dream. He shows that by consciously opening the doors of perception, we can reconnect with the living intelligences in Nature as kindred beings, become again wild scientists, nondomesticated explorers of a Gaian world just as Goethe, Barbara McClintock, James Lovelock, and others have done. For as Einstein commented, “We cannot solve the problems facing us by using the same kind of thinking that created them.”

Buhner explains how to use analogical thinking and imaginal perception to directly experience the inherent meanings that flow through the world, that are expressed from each living form that surrounds us, and to directly initiate communication in return. He delves deeply into the ecological function of invasive plants, bacterial resistance to antibiotics, psychotropic plants and fungi, and, most importantly, the human species itself. He shows that human beings are not a plague on the planet, they have a specific ecological function as important to Gaia as that of plants and bacteria.

Buhner shows that the capacity for depth connection and meaning-filled communication with the living world is inherent in every human being. It is as natural as breathing, as the beating of our own hearts, as our own desire for intimacy and love. We can change how we think and in so doing begin to address the difficulties of our times.

  • Sales Rank: #26753 in Books
  • Brand: Unknown
  • Published on: 2014-05-03
  • Released on: 2014-05-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.20" w x 6.00" l, 1.65 pounds
  • Binding: Paperback
  • 576 pages
Features
  • Plant Intelligence and the Imaginal Realm: Beyond the Doors of Perception into the Dreaming of Earth

Review
“Stephen Harrod Buhner’s The Lost Language of Plants and The Secret Teaching of Plants taught a generation of herbalists to trust our sense that the world was alive and speaking to us. Plant Intelligence and the Imaginal Realm takes us further down that path of remembering and re-enchantment, awakening our capacity to tap directly in to the Gaian mind. Be warned: if you read this book, you will never be the same again.” (Sean Donahue, traditional herbalist and instructor, School of Western Herbal Medicine at Pacific Rim)

“There is much magic, and a wealth of wisdom in this book. It is a wisdom that anyone can come, not only to understand, but to live within. To take this journey is to embrace a great healing, and to release a great burden. The healing answers your deepest longing, I won't say what the burden is, but you will know it when you let it go.” (The Fall Buyers MetaGuide, September 2014)

“This is a rare and splendid book that takes you right into the heart and soul of the world. Read it and be transformed.” (Stephan Harding, Ph.D., head of Holistic Science, Schumacher College, UK, and author of Animate Eart)

“The twentieth century was the great age of physics, and the twenty-first is the age of biology. According to Stephen Harrod Buhner, we must interact empathically with the biosphere by opening our perceptual gates to perceive through all body sensations. He deliciously explores music, writing, art, and plants as tools for reclaiming our feeling sense of nature. Plant Intelligence and the Imaginal Realm is a work of heartfelt wisdom written so exquisitely that it took my breath away, a must read for anyone who wants to achieve keystone intelligence--empathic immersion within Earth’s dreaming.” (Barbara Hand Clow, author of Awakening the Planetary Mind: Beyond the Trauma of the Past to a New Er)

About the Author
Stephen Harrod Buhner is the senior researcher for the Foundation for Gaian Studies. Described as both an Earth Poet and a Bardic Naturalist, he is the award-winning author of 19 books, including The Lost Language of Plants, The Secret Teachings of Plants, and Sacred Plant Medicine. He has taught for more than 30 years throughout North America and Europe. He lives in Silver City, New Mexico.

Excerpt. � Reprinted by permission. All rights reserved.
Prelude
The Soft Flutter of Butterflies

I never was a good student in school--though first grade was fun. We made handprints in wet plaster and walked in the woods looking for butterflies and learned the Spanish words for chocolate and hello.

That first summer after school was wonderful. I got bright new shoes and ran and played with my friends and we flew kites whose tails fluttered in the wind and the days were as long as forever. But next year, school was different.

Our teacher stood ramrod stiff at the head of the class and she was tall and thin and the mole on her chin quivered with indignation. Her face disapproved of itself and she wrinkled her nose when she talked as if she were smelling something polite people didn’t mention. . . .

I didn’t like her very much and I began to think that school was something I would rather not do.

But when I told my mother I was informed that I didn’t have a choice in the matter and that school was good for little children and that go I would. So, the years went by, as years do, and some teachers were better and some were not and I became as unconscious as unconscious could be.

I went to university and the teacher in my first class looked like Santa Claus. . . . He told us his name was Ben Sweet (Sweet by birth, sweet by disposition) and the name of his class was “On the challenge of being human.” My other teachers did not seem to care about the challenge of being human and instead they taught us to think about mathematics and analyze different chemicals, and as the months went by I felt farther from myself. And the only thing that seemed to make sense was Ben Sweet and the way he talked to us and urged something in the deeps of us to come out. . . .

And one day, I found myself thinking that I wanted all my teachers to be like that. . . . So, I made a list of every person I had heard of that had moved me in the way Ben Sweet did and I decided I wanted to meet and learn from every one of them. . . .

Buckminster Fuller, Robert Bly, Jacques Cousteau, Robert Heinlein, Joan Halifax, Stephanie Simonton, Elisabeth K�bler-Ross, William Stafford, Jane Goodall, Gregory Bateson, Eric Fromm, Frank Herbert, Ashley Montagu, Margaret Mead.

I was so young then and the world was so new and my whole life was before me.

Elisabeth K�bler-Ross was plain and tall and thin. . . . Her eyes penetrated everything they touched and they were the deepest blue and looking into them was like peering into some deep mountain pool that’s so clear you can’t tell how deep it is. Down in those deeps were things I couldn’t quite make out, things I didn’t understand . . . I could feel whatever it was deep inside, touching parts of me that I did not know I possessed. And those parts of me . . . I could feel them begin to stir under its touch.

“How did you come to your work?” someone asked.

“I was a young doctor and it was just after the war. I had heard stories of the terrible things that had happened in the concentration camps and I wanted to see for myself. So, I went to Majdanek in Poland. . . .

“By the gates there was a table and a young woman with dark, raven hair. She had to ask me several times for my name. She carefully wrote it down in the book where they kept a list of all the visitors. Then she looked up and smiled a sad, quiet smile, and waved me in. . . .

“Soon, I found myself in front of a wooden barracks. . . . I walked down the long passageways that ran between the tiers of bunks, looking around me. Then I saw--on the walls, roughly scratched, sometimes carved, into the wooden planks--hundreds of initials, and names--the last desperate messages to the living. And among those messages--I couldn’t believe it--were hundreds and hundreds of butterflies. Butterflies, everywhere. In the midst of that horror, the children had scratched butterflies into the walls!”

. . . Elisabeth looked at all of us in the room. None of us were moving. We were still, hardly breathing, caught spellbound. “I had never experienced such cruelty,” Elisabeth said, “and my heart was being crushed. But the young woman seemed oddly unaffected by it, so I said to her, ‘But you look so peaceful. How can you be peaceful when your whole family was killed here?’

“Golda looked back at me--those peaceful eyes!--and said in the most penetrating voice I had ever heard, ‘Because the Nazis taught me this: There is a Hitler inside each of us and if we do not heal the Hitler inside of ourselves, then the violence, it will never stop.’”

. . . There was something in Elisabeth’s voice that day, some invisible thing that my younger self did not consciously understand but could only feel. And it went into the depths of me and there it remains still. . . .

There is a difference I learned, long ago, between schooling and education. Do you feel it now, in the room with you?

I was never able to find it in any of my schools. But sometimes I find it in the soft flutter of butterflies, in the wildness of plants growing undomesticated in a forest clearing, in the laughter and running of young children, their hair flowing in the wind, and sometimes, sometimes I find it in the words of teachers who come among us from time to time--out there, far outside these walls, in the wildness of the world.

Most helpful customer reviews

109 of 112 people found the following review helpful.
Twenty Stars
By J. Buss
This book is Life-Changing. It's long, 500 pages, and you have to read through it because he's really building a case, but it's hard to put down. You start thinking "Phew, made it to page 400!" just because there's so much in it, but there's no temptation to read something else instead - or even to *do* something else instead. One of his points is that we aren't going to survive as a viable species in any form we'd recognize, till we reanimate the Planet and its Peoples - the Animals, Plants, Amoeba, Bacteria, even Rocks. We are their *partners* on the Planet, not their masters. Along the way he introduces fascinating new science about how perception works.

58 of 59 people found the following review helpful.
This book is changing my life.
By Susan Pitzele
Many times in the course of reading Plant Intelligence and the Imaginal Realm I wanted to stop and post my reaction to the book here on Amazon. I resisted the temptation setting myself the goal of responding only when I was finished. And now I have done that.

In this book Stephen Buhner proposed to me, in a most personal way, that I undertake my re-education. His single piece of advice was this: Whenever you encounter something ask yourself: How does it feel?

So I will say how this book feels. This book feels heavy, not the heaviness of its actual weight, though it is not a short book, but the heaviness the old hippies referred to when they said, “That’s heavy, man.” Importance has its own kind of weight, and the weight of this book settles onto my body, not in any oppressive way but as if it were a fluid of warmth that conformed to every lineament of my physical self. But it was not my physical self that was embraced, it was rather my natural mind; it was, in the end, my heart. For this is a book of love if ever there was one and kindles love in response.

It is as if someone nudged me awake from my sleep, gently but insistently. I knew at any moment I could say, “Leave me alone,” and the book would depart. Or I could let it rouse me. The book feels full of arousal, awake for the one who would awaken. So the book feels bright, not dazzling and brilliant in its brightness, not a brightness that causes squinting, but a brightness like the moon, never caustic, but when it is full adequate for many discoveries.

The book is as stocked with joy as a spring river with trout. It abounds with an energy of the sort the old prophets felt when stirred by the touch of vision. It is lithe like a big cat moving in the forest; it is a repetitious as the old bardic chants composed of formulae worked and reworked in changing skeins. It has the generosity of the potlatch. It has the humor of clowns backstage taking off their facepaint. It calls as sweetly as the morning doves in my garden, seductive, soft, and hinting of intimacy.

Feeling? Mine now on reading it: gratitude. The sense of dedication that breathes through this book touched me, held me as spell-bound as one is held by a great recitation. I love the man who wrote this book though I am not likely ever to meet him. Why? Because this book affirms something in me that needs affirming, seeks to feel affirmed. I feel I am in the presence of a true friend.

Listen, I am 73 year old. I have a PhD in literature from Harvard. I taught in the academic world Buhner describes. AND I have had those experiences in my life which opened the doors of perception. But I have never quite found a guide to the heart of the earth. If I could only hand down to my children one book from all the books I have read, it would be this book. It is like a map---though not the territory---a golden thread through the labyrinth.

Feel? it’s the feeling of having listened to a great song sung by a someone who has come back from a long journey with the wish to inspire me to travel there on my own.

83 of 85 people found the following review helpful.
Possibly the most important, mindblowing, astounding book I've ever read.
By Cheryl Guthrie
This may be the most important book you'll read this decade. Maybe ever. It re-enforces things that many of us have intuitively believed for a long time, but it does it through cutting edge science that is completely blowing my mind. Do you sort of think that the gaia hypothesis is kind of true--you know, maybe on a mythical or metaphorical level? Do you want proof that it is absolutely, scientifically true? The science presented here is mind blowing, paradigm shifting. As the mystics and native medicine people have been telling us forever, everything is connected, everything is conscious and communicates with everything else, the earth is actually a conscious, continually evolving being of which we and every other living thing are interconnected expressions. We have the capacity to actually SENSE this, feel it, know it in the ways that all people used to know it, back before the current scientific paradigm--now too slowly changing--started to convince us that we are all separate beings, and the rest of the universe, including the rest of "nature", is basically mechanical and unconscious and cannot communicate with us. The author gives exercises for developing this other way of sensing that we all are capable of but have mostly had beaten and "educated" and conditioned out of us. I'm actually not quite done reading the book yet, but each chapter fills me with more amazement, more "aha, yes, YES!" moments. I'm ordering at least 2 more copies to give to others. This is an absolute must read book, one that COULD help us to pull back from the precipice we are currently hanging over. We won't destroy the planet, though we are currently doing it very serious harm. But we may succeed in getting ourselves eradicated as a sadly failed experiment that was ultimately too destructive to the rest of the living planet of which we are but one expression. There's no way I can say words to do this book justice. Just read it, I totally promise you will not be disappointed. It may change your life. It will absolutely astound you, unless you yourself are a cutting edge biologist--and possibly even then. Just read it.

See all 112 customer reviews...

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Senin, 08 Agustus 2011

[S733.Ebook] Free PDF Autodesk AutoCAD Architecture 2017 Fundamentals, by Elise Moss

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Autodesk AutoCAD Architecture 2017 Fundamentals, by Elise Moss

This fundamentals text introduces you to Autodesk s AutoCAD Architecture 2017 software. The book covers the Layer Manager, Design Center, Structural Members, Doors, Windows, and Walls. Step-by-step lessons take the reader from creation of a site plan, floor plan, and space planning, all the way through to the finished building - a standard three bedroom, two bathroom residence. By the end of the text, you should feel comfortable enough to create a standard model, and even know how to customize the interface for your own use. This text provides you with in-depth coverage of toolbars, dialog boxes and commands. Educators will appreciate the quizzes and practice exam included in the text.

Table of Contents
  • Desktop Features
  • Site Plans
  • Floor Plans
  • Space Planning
  • Roofs
  • Structural Members
  • Rendering & Materials
  • Documentation
    • Sales Rank: #829837 in Books
    • Published on: 2016-03-30
    • Original language: English
    • Dimensions: 11.25" h x 8.50" w x .75" l,
    • Binding: Perfect Paperback
    • 302 pages

    Most helpful customer reviews

    0 of 0 people found the following review helpful.
    Great Book!
    By Amazon Customer
    Great book, could not find sample floor plan from chapter 3.

    0 of 0 people found the following review helpful.
    Three Stars
    By Amazon Customer
    Looking for a more technical book!

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    Minggu, 07 Agustus 2011

    [V206.Ebook] PDF Ebook The Singer's Musical Theatre Anthology - "16-Bar" Audition: Tenor Edition (Singer's Musical Theatre Anthology (Songbooks))From Hal Leona

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    (Vocal Collection). Tenor edition. Songs especially good for auditions have been chosen from Volumes 1-5 of The Singer's Musical Theatre Anthology and edited to 30-40 second "16-Bar" excerpts. Each volume includes over 100 songs in original keys.

    • Sales Rank: #417916 in Books
    • Brand: Hal Leonard
    • Published on: 2010-06-01
    • Released on: 2010-06-01
    • Original language: English
    • Number of items: 1
    • Dimensions: 12.00" h x .47" w x 9.00" l, 1.40 pounds
    • Binding: Paperback
    • 184 pages
    Features
    • Used Book in Good Condition

    About the Author
    Founded in 1947, Hal Leonard Corporation has become the worlds largest print music publisher, representing some of the greatest songwriters and artists of all time. We are proud to publish titles of interest to all musicians as well as music lovers, from songbooks and instructional titles to artist biographies and instrument price guides to books about the music industry and all the performing arts.

    Most helpful customer reviews

    0 of 0 people found the following review helpful.
    A Preformer's Musical Treasure Trove
    By Amazon Customer
    This book is simply the BEST! A huge variety of show titles to choose from, including a handful that I had never come across in the many years of sifting through audition material. In addition to this treasure trove of music, it is a great learning tool with it's breakdown of the main style/time period/ and intention of those included songs. MUST PICK UP!

    0 of 0 people found the following review helpful.
    Great addition to my voice studio library
    By Erin M. Smith
    Great addition to my voice studio library. I hope it will be helpful to my college students next year when spring auditions come around.

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    Sabtu, 06 Agustus 2011

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    The Norton Shakespeare: Histories (Third Edition)From W. W. Norton & Company

    Both an enhanced digital edition―the first edited specifically for undergraduates―and a handsome print volume, The Norton Shakespeare, Third Edition, provides a freshly edited text, acclaimed apparatus, and an unmatched value.

    The attractive print and digital bundle offers students a great reading experience at an affordable price in two ways―a hardcover volume for their dorm shelf and lifetime library, and a digital edition ideal for in-class use. Students can access the ebook from their computer, tablet, or smartphone via the registration code included in the print volume at no additional charge. As one instructor summed it up, “It’s a long overdue step forward in the way Shakespeare is taught.”

    • Sales Rank: #1248085 in Books
    • Published on: 2015-09-02
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.60" h x 1.00" w x 6.10" l, .0 pounds
    • Binding: Paperback
    • 1024 pages

    About the Author
    Stephen Greenblatt (Ph.D. Yale) is Cogan University Professor of the Humanities at Harvard University. Also General Editor of The Norton Anthology of English Literature, he is the author of eleven books, including The Swerve: How the World Became Modern (winner of the 2011 National Book Award and the 2012 Pulitzer Prize); Shakespeare's Freedom; Will in the World: How Shakespeare Became Shakespeare; Hamlet in Purgatory; Marvelous Possessions: The Wonder of the New World; Learning to Curse: Essays in Early Modern Culture; and Renaissance Self-Fashioning: From More to Shakespeare. He has edited seven collections of criticism, including Cultural Mobility: A Manifesto, and is a founding coeditor of the journal Representations. His honors include the MLA’s James Russell Lowell Prize, for both Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England and The Swerve, the Sapegno Prize, the Distinguished Humanist Award from the Mellon Foundation, the Wilbur Cross Medal from the Yale University Graduate School, the William Shakespeare Award for Classical Theatre, the Erasmus Institute Prize, two Guggenheim Fellowships, and the Distinguished Teaching Award from the University of California, Berkeley. He was president of the Modern Language Association of America and is a fellow of the American Academy of Arts and Sciences, the American Philosophical Society, and the American Academy of Arts and Letters.

    Walter Cohen (Ph.D. Berkeley) is Professor of English at the University of Michigan, Ann Arbor, and Professor of Comparative Literature Emeritus at Cornell University, where he received the Clark Distinguished Teaching Award. He is the author of Drama of a Nation: Public Theater in Renaissance England and Spain, as well as numerous journal articles on Renaissance literature, literary criticism, the history of the novel, and world literature. He has recently completed a critical study entitled A History of European Literature: The West and the World from Antiquity to the Present.

    Jean E. Howard (Ph.D., Yale) is the George Delacorte Professor in the Humanities at Columbia University. A past president of the Shakespeare Association of America, she is the author of numerous books on Renaissance drama, including Shakespeare’s Art of Orchestration: Stage Technique and Audience Response (1984), The Stage and Social Struggle (1994), Engendering a Nation: A Feminist Account of Shakespeare’s English Histories, with Phyllis Rackin (1997), Theater of a City: The Places of London Comedy 1598–1642 (2007), and Marx and Shakespeare with Crystal Bartolovich (2012). She is at work on a book about the English history play from Shakespeare to Caryl Churchill and another on the invention of Renaissance tragedy.

    Katharine Eisaman Maus (Ph.D. Johns Hopkins) is James Branch Cabell Professor of English at the University of Virginia. She is the author of Being and Having in Shakespeare; Inwardness and Theater in the English Renaissance; and Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance tragedies; and coeditor of English Renaissance Drama: A Norton Anthology, The Norton Anthology of English Literature, and a collection of criticism on seventeenth-century English poetry. She has been awarded Guggenheim, Leverhulme, NEH, and ACLS fellowships, and the Roland Bainton Prize for Inwardness and Theater.

    Gordon McMullan (D.Phil. Oxford) is Professor of English at King’s College London and Director of the London Shakespeare Centre. He is the author of Shakespeare and the Idea of Late Writing: Authorship in the Proximity of Death and The Politics of Unease in the Plays of John Fletcher, and editor of the Arden Shakespeare edition of Henry VIII and the Norton Critical Edition of 1 Henry IV. He is a General Editor of Arden Early Modern Drama. He has edited or co-edited several collections of essays, including Late Style and Its Discontents, Women Making Shakespeare, Reading the Medieval in Early Modern England, and In Arden: Editing Shakespeare.

    Suzanne Gossett (Ph.D. Princeton) is professor emerita of English at Loyola University Chicago. She is a General Editor of Arden Early Modern Drama and has recently served as president of the Shakespeare Association of America. She has written extensively about early modern drama and textual criticism and has edited, most recently, Eastward Ho! in the Cambridge Edition of the Works of Ben Jonson, Philaster for Arden Early Modern Drama, A Fair Quarrel in Thomas Middleton: The Collected Works, Pericles in Arden Shakespeare 3, and the collection Thomas Middleton in Context.

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    Five Stars
    By Amazon Customer
    I love the compilation of some of the best plays of all time and the new edition.

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    [D636.Ebook] Fee Download High and Low Moderns: Literature and Culture, 1889-1939From Oxford University Press

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    High and Low Moderns: Literature and Culture, 1889-1939From Oxford University Press

    This collection of essays on modernist culture reassesses the convergence of low and high cultures, of socialist and aesthete, late Victorian and young Georgian, the popular and the coterie. Academic literary studies have until recently preferred to treat the "opaque," "difficult" writings of high moderns Conrad, Yeats, Woolf, and Eliot, and the more accessible work of the low moderns Kipling, Shaw, and Wells in separate categories. In contributions by scholars David Bromwich, Roy Foster, Edna Longley, Louis Menand, Edward Mendelson, and others, High and Low Moderns brings these writers into critical proximity. Essays on such topics as the public mourning of Queen Victoria, Florence Farr and the "New Woman," the Edwardian Shaw, Lady Gregory's attraction to Irish felons, and the high artistic uses of low entertainments--cinema, detective fiction, and journalism-- introduce a subtler model of modernism, in which "demotic" and "elite" cultural forms criticize, imitate, and address one another.

    • Sales Rank: #4622773 in Books
    • Published on: 1996-12-05
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.50" h x .79" w x 6.38" l, 1.35 pounds
    • Binding: Hardcover
    • 272 pages

    Review

    "High and Low Moderns offers persuasive and thorough historical research to make us rethink the literary landscape of the early twentieth century. Anyone who is interested in rethinking modernism would learn something from this collection."--English Literature in Transition, 1880-1920


    From the Back Cover
    This collection of essays on modernist culture reassesses the convergence of low and high cultures, of socialist and aesthete, late Victorian and young Georgian, the popular and the coterie. Academic literary studies have until recently preferred to treat the "opaque", "difficult" writings of high moderns Conrad, Yeats, Woolf, and Eliot, and the more accessible work of the low moderns Kipling, Shaw, and Wells in separate categories. In contributions by scholars David Bromwich, Roy Foster, Edna Longley, Louis Menand, Edward Mendelson, and others, High and Low Moderns brings these writers into critical proximity. Essays on such topics as the public mourning of Queen Victoria, Florence Farr and the "New Woman", the Edwardian Shaw, Lady Gregory's attraction to Irish felons, and the high artistic uses of low entertainments - cinema, detective fiction, and journalismintroduce a subtler model of modernism, in which "demotic" and "elite" cultural forms criticize, imitate, and address one another.

    About the Author
    Maria diBattista is at Princeton University. Lucy McDiarmid is at Villanova University.

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